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Published in electro-pop ·

Marbert Rocel

Me, Myself and I

The eleventh track of In the Beginning, the fourth album by the Leipzig trio Marbert Rocel, released on Compost Records in 2015, an album its label describes as delicate synth pads and percussion around Antje Seifarth's guiding voice.

Review

Genre and Mood

Marbert Rocel’s Me, Myself and I is electro-pop and electronic music on a small scale. The feeling the sources point to is dreamy and intimate: songs that, in the label’s words, welcome you like good friends.

Song Summary

Me, Myself and I is the eleventh of twelve tracks on In the Beginning, the trio’s fourth studio album, released by Compost Records on 9 October 2015 as a double LP with a CD, a CD and a download. The songs first took shape in the summer of 2014 in a small spot enclosed by woods, and the band tied them together in their Leipzig studio over the following winter. According to the label, each decision went through every head and each chord was listened to a hundred times; there are no pompous string arrangements, only what the band agreed on together.

Musical Breakdown

Main Section

No review we found describes this song on its own, so this page describes less than usual and leans on what the band and the label say about the album. That text describes percussion tickling from synth pads like dew, a sound sculpted delicately rather than hewn raw, and Antje Seifarth’s voice guiding the listener like Tinkerbell past big feelings and small gestures. The track runs four minutes and 25 seconds and leads into the closing With Your Love.

Concepts in Focus

A synthesizer is Marbert Rocel’s main instrument. In a 2015 interview, the Dutch edition of VICE’s THUMP described them as a German electropop collective that gets everything out of the synthesizer that can be got out of it, and Robert Krause named Matthew Herbert’s Bodily Functions as a major influence on their early music and Thom Yorke as a mood behind the new album.

Synth pads also make an ambient texture: sustained sound that surrounds a voice rather than accompanying it. Listen for whether the pads here act as a background or as the space the voice lives in. The same trio’s quieter side is in Marbert Rocel – Hush Now.

Artistic Context

Marbert Rocel are Marcel Aue (Malik), Robert Krause (Panthera Krause) and the singer Antje Seifarth (Spunk), from Thuringia and based in Leipzig; the band’s name joins the first names of the two men. They design their own artwork, website and videos. Their albums on Compost are Speed Emotions (2007), Catch A Bird (2009), Small Hours (2012) and In the Beginning (2015).

Impact and Reception

We found no sign that the song was released as a single, and no review of it. Compost published it on YouTube in November 2015 with the album’s text, and the band later posted its own upload. Listen closely and decide for yourself what it says.

Learn from this track

Introductory

What you will learn

  • Describe how synthesizer pads and light percussion can make an electronic song feel intimate rather than danceable.
  • Place Marbert Rocel in the German electronic scene around Compost Records and Leipzig.
  • Practise listening to a track that no review describes, and separate what you hear from what the sources say.

Listening guide

  1. the voice Antje Seifarth, known as Spunk, whose voice the label compares to Tinkerbell guiding the listener through the album.
  2. the percussion What the label describes for the whole album: percussion tickling from synth pads like dew, nothing hewn raw, everything sculpted delicately.
  3. the synthesizers The band's tool of choice; a 2015 interview said they get everything out of the synthesizer that can be got out of it.
  4. its place on the album The eleventh of twelve tracks, just before the closing With Your Love, at four minutes 25 seconds.

Concepts in this track

synthesizer

66 tracks

An electronic instrument that generates sound from oscillators and shapes it with filters and envelopes. Synthesizers define the sound of electronic pop, house and techno.

ambient texture

15 tracks

Layers of sustained, slowly changing sound that create atmosphere rather than melody or beat. Many electronic tracks open and close with them.

Listen next, and why

Questions for discussion

  1. The label says each chord was listened to a hundred times and every decision went through every head. Can you hear a band's consensus in its music?
  2. What makes a synthesizer sound warm rather than cold?
  3. When no review describes a song, how do you decide what to listen for?

References

  1. Bandcamp (Marbert Rocel). In The Beginning (2015). Artist
  2. YouTube (Compost Records). Marbert Rocel - Me, Myself And I (2015). Label
  3. VICE / THUMP. Crate Expectations: Marbert Rocel (2015). Interview
  4. Wikipedia. Marbert Rocel. Encyclopedia
  5. MusicBrainz. Me, Myself and I (recording). Database

Weighted overlap of genres, feelings and moods.

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