Review
Genre and Mood
Joachim Pastor’s Eternity is melodic techno, electronic music in the shape its maker describes for all his work: danceable, with a lot of melodies, “techno for the electronic dancey part, melodic for the emotional one”. The feelings follow from that split, energetic in the beat and emotional in the tune.
Song Summary
Eternity runs six minutes and twenty seconds and came out on 9 December 2016 as the A-side of Hungry Music’s eighteenth release, HM18, paired with a track called Millenium. Hungry Music put it on YouTube the same day, along with a short clip about it in the label’s video series Simple As F**k. No review we could find describes how the track itself is built, so this page tells you where it comes from and what its maker says he aims for, and leaves the sound to the video.
Musical Breakdown
No source describes the parts of Eternity, so this breakdown follows Pastor’s own account of his music rather than the track’s structure.
Main Section
Listen for his two sides at once. Pastor describes his music as techno for the body and melody for the emotions, and says a side of it is more accessible than the underground likes, with real open melodies, while still too artistic for pop and EDM.
Outro
How Eternity ends is not described in any source. Notice whether it closes on the melody or on the beat.
Concepts in Focus
Pastor has described his working order in detail, and it is a lesson in mixing. When inspired he creates as much as he can, then arranges, then mixes in the computer as well as he can, polishes that mix with his analog gear and only then masters. In his view the colour of a track comes mostly from how its elements are mixed and which sounds are chosen; the gear only adds the final polish.
He is also a self-confessed analog gear geek who grew up on Jean-Michel Jarre for the technology, the synthesizer sounds, the soundscapes and the textures, and has played live with Moog synthesizers alongside guitars, percussion and a laptop.
Artistic Context
Pastor discovered music at four, studied at the Versailles Conservatory and played in bands before he began producing. With Worakls and N’to he founded Hungry Music in Aix-en-Provence, a label whose music Wikipedia describes as a mix of techno and acoustic; N’to’s NTO – Time came out in the same catalogue. He lists Daft Punk’s Discovery, Queen and Röyksopp’s Junior among his favourite albums.
Impact and Reception
Eternity reached beyond the label: MusicBrainz lists it on the compilation About: Berlin Vol. 17 in 2017 and on the label’s own Hungry 5 in 2018, and a four-minute version appeared on Electric For Life Episode 108 within weeks of release. By 2025 all five Hungry Music artists had moved to other labels, Pastor to Armada Music. Let it run for its full six minutes and see which side of his music wins.