Kölsch's melodic techno meets the warm, weathered voice of WhoMadeWho's Tomas Høffding in Bloodline, a slow-burning track from 1983, an album about childhood road trips across Europe, that swells like a sunrise over the booth.
A twenty-year-old Alicia Keys at the piano, pouring gospel-sized yearning into a stark, minor-key confession about a love she cannot stop falling into.
Sting wrote 'Roxanne' after seeing street workers near the band's Paris hotel in 1977: a plea to a woman to leave that life, set to off-beat reggae guitar and a tango-like rhythm, the A&M debut single that became the Police's signature song.
Gorgon City's sleek, late-night deep house meets Maverick Sabre's raw, soulful voice on Hard On Me, the closing track of their 2014 debut album Sirens: a plea for gentleness carried by a steady, rolling groove.
A teenage Gabriella Cilmi takes Justin Timberlake's 2002 break-up hit out of Timbaland's beatbox-and-clavinet production and sings it as a stripped-down soul lament, her husky voice carrying all the hurt.
Two Brazilian acts, the Belo Horizonte trio Funky Fat and the duo Digitaria, meet on Jamie Jones and Lee Foss's label Hot Creations in 2012: a slower, electro-slanted house track of soaring synths, grumbling stabs and breathy vocals.
'Five Minutes' is the second single by Her, the French duo of Simon Carpentier and Victor Solf: clean-cut, R&B-tinged pop of finger clicks, rippling guitars and layered vocals, from their debut Tape #1.
'Burn It Down' by Gabriel Vitel is a dark, six-minute minimal track from the German songwriter and indie dance live act's 2014 debut EP on Ipoly Music, built for the dance floor rather than the radio.