Mando Diao
Dance With Somebody (Radio Version)
Mando Diao trade garage-rock grit for a disco-rock floor-filler, a pulsing four-on-the-floor beat and a shout-along chorus about needing someone to dance with.
Instrument
243 tracks.
Mando Diao
Mando Diao trade garage-rock grit for a disco-rock floor-filler, a pulsing four-on-the-floor beat and a shout-along chorus about needing someone to dance with.
Lilly Wood and The Prick, Robin Schulz
Robin Schulz lifts a mournful 2010 French folk-pop song onto a bouncing deep house beat, Nili Hadida's bleak prayer and a looping guitar riff becoming a number one across Europe in 2014.
Lamomali
The song that names Matthieu Chedid's Franco-Malian collective: Toumani Diabaté's cascading kora, the voices of Amadou & Mariam and Jain, and a pun on 'the soul in Mali', from the 2017 album Lamomali.
Labyrinth Ear
A three-minute haze of blurred synths, soft beats and a distant, weightless voice, Navy Light feels like city lights seen through rain on a night bus window.
Kygo, Maty Noyes
Soft-focus tropical house from Kygo, with plucked melodies and a warm, pleading vocal from Maty Noyes asking someone not to leave just yet.
Kosheen
Deep, dark bass, insistent drums and Sian Evans' voice cutting through the fog: Addict opens Kosheen's Independence with the pull of something you cannot quit.
Kölsch
Kölsch's melodic techno meets the warm, weathered voice of WhoMadeWho's Tomas Høffding in Bloodline, a slow-burning track from 1983, an album about childhood road trips across Europe, that swells like a sunrise over the booth.
Klyne
A slow, stripped-down slice of dark electronic R&B from the Eindhoven duo Klyne, where Nick Klein's soft, close-miked voice drifts over sparse beats and muted synths; the new song on their 2015 Closer EP.
Klyne
A hushed, slow-burning slice of electronic soul from the Dutch duo Klyne, where a fragile falsetto floats over muted beats and a heart too stunned to move.
Klyne
A hushed, late-summer slow jam from the Dutch duo Klyne, where a feather-light falsetto floats over soft keys, tropical-leaning drums and pulsing synths.
Klangkuenstler, Alice Phoebe Lou
KlangKuenstler wraps Alice Phoebe Lou's soft, folk-tinged voice in a warm, unhurried deep house shuffle that feels like a slow drive home under a full moon.
KlangKuenstler
The British producer Miguel Campbell turns KlangKuenstler and Alice Phoebe Lou's 2014 moon song into a warm, rolling groove for Sunday Best, her voice floating weightless over a bassline that never stops gently pushing forward.
Kele
Kele Okereke opens his after-hours record Trick in a whisper: a cool, late-night house groove about the electricity of meeting someone new, sung with Yasmin.
Kav Verhouzer, BullySongs
Sunny deep-house chords and a warm, raspy BullySongs vocal: Get What You Came For is an easygoing dancefloor invitation that never pushes, only pulls you in.
KANT
The Copenhagen production team KANT stretch Leo Stannard's aching vocal across a seven-minute club arrangement on Black Butter Records, melancholy piano chords and a steady deep house pulse turning heartbreak into something you can dance through.
Joss Stone
A teenage Joss Stone leans into a lilting, reggae-kissed soul groove and sings about wanting less with the husky authority of a singer twice her age.
John Newman, Kove
Kove drives John Newman's northern-soul plea for a second chance into rolling drum and bass, the raw voice riding fast breaks and big, bright chords.
Jan Blomqvist
Jan Blomqvist slows Angus & Julia Stone's folk lullaby into a long, glowing melodic-house drift, his weary vocal hovering over the pulse like a plane above night clouds.
Jan Blomqvist
The Zürich duo Animal Trainer fold Jan Blomqvist's hushed 2011 cover of Big Jet Plane into a rolling, late-night deep house remix, released on the Berlin label Dantze, where a longing vocal drifts above a patient, pulsing groove.
James Newton Howard, Jennifer Lawrence
Jennifer Lawrence's bare, unpolished voice sings an eerie murder ballad from Suzanne Collins' Mockingjay, set to a melody by the Lumineers, that swells into a rebel anthem as James Newton Howard's orchestra gathers behind her.
James Newton Howard, Jennifer Lawrence
Jennifer Lawrence's eerie Mockingjay folk song recast as an uptempo, drum-heavy rebel anthem, the unaccompanied verse growing into a pounding march with strings and a dance pulse.
Jain
Zanaka's gentle closer, a reggae-tinged sway where Jain lets the album's travels settle into calm, sunlit contentment.
Jain
Handclap-light percussion, a bouncing bass and Jain's playful, slightly mischievous delivery make Mr Johnson one of Zanaka's sunniest little stories.
Jain
Jain's light, sing-song voice, her own drum programming and Yodelice's bass and trombone carry a small, sunny plea for a better world, the title track of her first EP in 2015.