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Published in deep house ·

Nu, Jo.Ke

Who Loves the Sun

Nine sun-warmed minutes of organic deep house from the Bar 25 world, where Jo.Ke's gentle, sing-along vocal drifts over a loping groove made for golden-hour dancing.

Review

Genre and Mood

Nu and Jo.Ke made Who Loves the Sun a defining record of the organic, open-air end of deep house, with the slow sway of downtempo built into its bones. The mood is uplifting, hypnotic and relaxed, the sound of the sun going down over a dancefloor that has no intention of stopping.

Song Summary

At more than nine minutes, the original mix is a long, warm journey rather than a quick hit. Jo.Ke’s gentle, almost sing-along vocal carries the song, framed by a loping groove, earthy percussion and simple, glowing melodic phrases that repeat until they feel like a mantra. It shares its title with a Velvet Underground song, but its spirit is entirely its own: unhurried, communal and full of light.

Musical Breakdown

The track unfolds slowly, giving each element room to settle before the next arrives, the way a long sunset changes colour by degrees.

Intro

Soft percussion and a steady, rounded kick start the journey, with warm textures drifting in like heat haze over a field.

Build-up

The bass and melodic elements gradually join, the groove becoming fuller and more rolling while staying relaxed.

Verse 1

Jo.Ke’s voice enters, intimate and unforced, singing as if to a few friends gathered close rather than a crowd.

Main Section

The heart of the track is a long, locked groove where voice, percussion and melody circle each other, hypnotic in its repetition and gentle in its pace.

Bridge

The rhythm eases off and the atmosphere opens up, a breath of space before the groove gathers again.

Outro

The elements fade one by one over the closing minutes, the melody lingering like the last warmth of the day.

Concepts in Focus

Who Loves the Sun is inseparable from the club culture that produced it. Bar 25 was a bar, open-air club and cultural venue on the banks of the Spree in Berlin’s Friedrichshain, open only in summer, famous for costume parties and parties that lasted up to 48 hours, and it ran its own record label. The club closed in September 2010; this record, released by Bar 25 Music the following July, carries its daylight, unhurried spirit.

In 2012 the track appeared on the soundtrack of Bar25 – Tage außerhalb der Zeit, the documentary about the club and its founders. A soundtrack placement like that turns a club record into a memory of a place, and it carried the track to people who never danced there.

The music itself is all groove. Nothing hurries; the percussion, the bass and the voice settle into a loping pattern and stay there, and the pleasure comes from how they lock together over many minutes rather than from any big moment.

Artistic Context

Who Loves the Sun was released on 12 July 2011 as the title track of the We Love The Sun EP on Bar 25 Music, catalogue BAR25-019, alongside a remix by Let It Be Naked and Nu’s “Dance In My Pants” with Chris Schwarzwälder. The label describes Nu as a nomad of modern times, a producer and trained sound engineer whose homes have included Switzerland, Germany and Peru, who works across deep house, hip hop, ambient and theatre music and whose music puts live performance first, mixing minimal techno with analogue synthesizers and instruments he builds himself.

Impact and Reception

The original became a slow-burning favourite of festival sunsets and chill-out playlists, and Bar 25 Music still presents it among its classics. It earns its place here as proof that dance music does not need to rush to move people. Find nine free minutes, ideally outdoors as the light turns golden, and give it the whole running time.

Learn from this track

Introductory

What you will learn

  • Explain how a club and its label can shape a sound, here the open-air Bar 25 in Berlin.
  • Hear how a slow, loping groove and a repeated vocal phrase create a hypnotic, unhurried mood.
  • Describe how a documentary soundtrack can carry a club track to listeners who never went to the club.

Listening guide

  1. the intro Soft percussion and a steady, rounded kick: the track takes its time, as a nine-minute original mix can.
  2. the vocal Jo.Ke's gentle, unforced voice, singing as if to a few friends rather than a crowd.
  3. the long middle Voice, percussion and melody circling each other in a locked groove, repeating until the phrase becomes a mantra.

Concepts in this track

club culture

8 tracks

The world of nightclubs, DJs, dancers and their rituals in which house, techno and much dance music were made and are judged.

soundtrack

14 tracks

Music written for or placed in a film, series or game. A placement can give a song a second life and an audience far beyond its genre.

groove

37 tracks

The felt quality of a rhythm that makes people move: how drums, bass and the other parts lock together and push against each other in time.

Listen next, and why

Questions for discussion

  1. Bar 25 was an open-air club on the banks of the Spree that only opened in summer. Can you hear a place in a piece of music?
  2. Why might a track this slow and long become a favourite at sunset rather than at midnight?
  3. The title echoes a Velvet Underground song of 1970. Does the borrowed title change how you hear it?

References

  1. Bar 25 Music. Nu feat. Jo.Ke - Who Loves The Sun (Original Mix) [BAR25-019] (2011). Label
  2. Wikipedia. Bar 25. Encyclopedia
  3. MusicBrainz. Who Loves the Sun (recording). Database

Weighted overlap of genres, feelings and moods.

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