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Published in electronic ·

Console

A Homeless Ghost

The second track of Herself, the 2010 album Martin Gretschmann released as Console on Disko B: the first big appearance of the singer Miriam Osterrieder, and the record's only song with a straight bass drum.

Review

Genre and Mood

Console sings A Homeless Ghost through the voice of Miriam Osterrieder, on an album that laut.de called ambient with song structures and that Discogs files under electro and ambient. The feelings on this page, dreamy and intimate, are our reading of a track the same review praised for satisfying blissful pop needs while keeping an unobtrusiveness all its own.

Song Summary

A Homeless Ghost is the second of eleven tracks on Herself, which Martin Gretschmann released as Console on the label Disko B at the end of 2010; it runs five minutes 41 seconds. The record was produced and mixed at Paul’s Pop Store in Weilheim. laut.de’s Michael Schuh wrote that Gretschmann made it deliberately without his bandmates and brought only Osterrieder into the studio, and that this song is her first big appearance; the release credits still list the live band as performers, and the digital listing names five composers and Gretschmann as lyricist.

Musical Breakdown

No source walks through this track part by part, so this breakdown stays with the two details the reviews name.

Intro

Listen for what comes first, the textures or the beat, and how long the track waits before the voice.

Main Section

The heart of the song is the pairing laut.de singled out: the only straight bass drum on Herself under Osterrieder’s voice, which Groove heard across the album as held between singing and speech.

Outro

How the track ends is not described anywhere. Notice whether the kick or the voice leaves last.

Concepts in Focus

A four-on-the-floor kick, one bass drum on every beat, is so common in dance music that it rarely makes news. On Herself it does: laut.de noticed that this is the one song with a straight bass drum, and credited it with a lonely balancing act between blissful pop and an unobtrusiveness of its own. One steady pulse is enough to change how a whole track feels.

That pulse also made the song useful to DJs. In 2012 Disko B released Herself Remixes, with Wareika’s Human Harmonizer remix of A Homeless Ghost, and Herself Remixes II opened with Daniel Bortz’s eight-minute version. The music video of 2011, directed by Volker Heckel, is a third shape: under four minutes long.

Artistic Context

Console is the electronic project of Martin Gretschmann, long the programmer of The Notwist, who also records as Acid Pauli, heard in Bonaparte, Acid Pauli – Not Today. laut.de heard Herself’s sound as a link between his albums Reset The Preset and Mono. Among the producers of Wareika’s remix Discogs credits Florian Schirmacher, one half of Federleicht in Federleicht – Herr B.

Impact and Reception

Groove’s Maximilian Linz heard an album that loves both the anonymity of techno technology and the poetic ideals of indie pop, more sketch than masterpiece. A Homeless Ghost was the song that got a video and two remixes. Give it five quiet minutes.

Learn from this track

Introductory

What you will learn

  • Explain what a four-on-the-floor bass drum is and why one straight kick can set a song apart on an album without one.
  • Describe how two German reviews placed Console's Herself between ambient, techno technology and indie pop.
  • Compare an album track with its shorter music video and its remixes, and say what each version is for.

Listening guide

  1. the bass drum laut.de called this the only song on Herself with a straight bass drum: listen for the steady kick under everything else, and for how it changes the feel of an otherwise ambient record.
  2. the voice Miriam Osterrieder's first big appearance on the album, in laut.de's words; Groove heard her voice on Herself held in a vague register between singing and speech.
  3. the textures laut.de summed up the album's sound as crackling, rattling and flowing; no source describes this track's sounds one by one, so listen for which of the three you hear.
  4. the music video The official video runs just under four minutes against the album's five minutes 41: notice what the shorter version keeps.

Concepts in this track

music video

144 tracks

A short film made to accompany a song. Since MTV it has shaped how songs are remembered, and on YouTube it is often the main way a song is heard.

remix

164 tracks

A new version of a recording made by reworking its parts: changing the beat, harmony, tempo or structure, often by another producer. A remix can turn a ballad into a club track.

four-on-the-floor

20 tracks

A steady kick drum on every beat of a 4/4 bar. It is the pulse of disco, house and most techno: the body always knows where the next beat lands, so everything else can move around it.

Listen next, and why

Questions for discussion

  1. One straight bass drum was enough for a reviewer to set this song apart from the rest of an ambient album. What does a steady kick do to the way you listen?
  2. Groove heard Osterrieder between singing and speaking. Where would you place her voice, and what does that distance do to the song?
  3. Two remixers took this track to the club. What would you keep, and what would you change, if you remixed it?

References

  1. laut.de. Console: Herself (review by Michael Schuh) (2010). Review
  2. Groove. Console: Herself (Disko B), review by Maximilian Linz (2010). Review
  3. Discogs. Console - Herself (Disko B, DB156). Database
  4. MusicBrainz. A Homeless Ghost (recording). Database
  5. YouTube (C.O.N.S.O.L.E - Topic). A Homeless Ghost. Video
  6. YouTube (DiskoBombs). Console - A Homeless Ghost (Official Video HD) (2011). Label
  7. Discogs. Console - Herself Remixes (Disko B, DB158). Database
  8. Discogs. Console - Herself Remixes II (Disko B, DB168). Database
  9. Wikipedia. Console (musician). Encyclopedia

Weighted overlap of genres, feelings and moods.

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