Skip to content
Published in hip-hop ·

Busta Rhymes

Gimme Some More

A 1998 single from Busta Rhymes' album Extinction Level Event: The Final World Front, two and a half minutes of rapid-fire rap over a DJ Scratch beat built on the violin riffs of Bernard Herrmann's Psycho theme.

Review

Genre and Mood

Busta Rhymes released Gimme Some More on 26 October 1998, seven weeks before its album: hip-hop and rap at a sprint, energetic, intense and, once you see the video, playful. Wikipedia files it under hardcore hip-hop and notes that it is often considered the summit of his rhyming style.

Song Summary

Busta wrote it with George Spivey, better known as DJ Scratch, who produced it. The beat rests on a sample: the violin riffs under the main rhythm come from the opening theme Bernard Herrmann composed for Alfred Hitchcock’s Psycho in 1960. Over it Busta packs three verses and a chorus in which every line is answered by the title, and the whole thing is over in two minutes and thirty-nine seconds. It was recorded in 1998 at Soundtrack Studios in New York.

Musical Breakdown

No source times the song, so this walk-through follows the lyric’s structure and the sources.

Intro

Busta opens with a story about a childhood fall in which he bumped his head; the video turns it into its cartoon opening.

Verse 1

The first verse comes in at full pace, a list of boasts in short, end-rhymed lines, with the sampled violins in the beat beneath it.

Chorus

The chorus is call and response: Busta asks, and the answer comes back each time as gimme some more.

Outro

After the third verse and a last chorus the track simply ends, short enough that the video, at almost three minutes, runs longer than the album version.

Concepts in Focus

sampling lets a producer build a beat from someone else’s recording, and DJ Scratch reached for one of the most famous string themes in film. The sampled violins carry a theme written to put a cinema audience on edge into a rap single.

The sampled figure works as a riff: a short, repeated phrase that drives the song. Listen to how the rapping locks to it.

The music video, directed by Hype Williams with Busta credited as Busta Remo, is shot through a fisheye lens in fast motion. A child playing young Busta is chased through a house by a blue monster with yellow eyes, intercut with Busta and the Flipmode Squad as a boxer, a stockbroker, a miner, a pimp and more; NPR remembered him rapping as a boxer, a cowboy and a zoot-suited gangster. It was nominated for Breakthrough Video at the 1999 MTV Video Music Awards.

Artistic Context

Extinction Level Event: The Final World Front followed on 15 December 1998 on Flipmode and Elektra, the third album of an apocalyptic run after The Coming and When Disaster Strikes…, whose single Busta Rhymes, Jamal – Put Your Hands Where My Eyes Could See (feat. Jamal) had also been recorded at Soundtrack Studios. The album reached number 12 on the Billboard 200 and went platinum.

Impact and Reception

Gimme Some More reached number five in the UK, where it went silver, and number 29 on the US R&B/Hip-Hop chart, and it was nominated for the Grammy for Best Rap Solo Performance in 2000, losing to Eminem’s My Name Is. Turn it up and watch the video.

Learn from this track

Introductory

What you will learn

  • Explain how a hip-hop producer can build a beat from a film score, here Bernard Herrmann's opening theme for Psycho.
  • Describe how a repeated riff can set the pace and the tension of a rap song.
  • Explain how a music video can change the meaning of a song, from threat to slapstick.

Listening guide

  1. the beat The violin riffs under the main beat, sampled from the opening theme Bernard Herrmann wrote for Alfred Hitchcock's Psycho in 1960.
  2. the chorus A call and its answer: Busta's lines followed each time by the title, gimme some more.
  3. the verses Three verses delivered at full speed in barely more than two and a half minutes: listen for how little room the song leaves to breathe.
  4. the video Hype Williams' fisheye, fast-motion video with a Looney Tunes-like intro, Busta narrating a childhood bump on the head.

Concepts in this track

music video

144 tracks

A short film made to accompany a song. Since MTV it has shaped how songs are remembered, and on YouTube it is often the main way a song is heard.

riff

25 tracks

A short, repeated melodic or rhythmic figure, usually played by an instrument, that anchors a song. Rock riffs are often guitar figures; in electronic music the same role falls to a synth or bass line.

sampling

63 tracks

Taking a fragment of an existing recording and reusing it in a new one, as a loop, a chop or a texture. Sampling is central to hip-hop and dance music and raises questions of credit and copyright.

Listen next, and why

Questions for discussion

  1. A string theme written to frighten cinema audiences in 1960 drives a rap single in 1998. What changes, and what stays the same?
  2. The song is short for a hit. What does a two-and-a-half-minute rap single gain by stopping early?
  3. The video turns menace into cartoon. Does it make the song lighter, or the threat stranger?

References

  1. Wikipedia. Gimme Some More. Encyclopedia
  2. Wikipedia. Extinction Level Event: The Final World Front. Encyclopedia
  3. NPR / WUSF. Busta Rhymes On 'Extinction Level Event 2' And Hip-Hop As A Daily Practice (2020). Interview
  4. MusicBrainz. Gimme Some More (recording). Database
  5. Busta Rhymes. Busta Rhymes - Gimme Some More (Official Video) [Explicit]. Video
  6. Busta Rhymes - Topic. Gimme Some More. Video

Weighted overlap of genres, feelings and moods.

Neighbourhood

This track, the tracks most like it and theirs. Drag, zoom, hover; a dot opens the track.

Show as table