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Booka Shade

Body Language - Interpretation

Booka Shade's own reworking of their 2005 club anthem for the album Movements: more relaxed, broken-beat and acoustic in feel, with a jazz guitar trading phrases with a storytelling bassline.

Review

Genre and Mood

Booka Shade’s Body Language - Interpretation is the second track of their 2006 album Movements: the club anthem of 2005, heard sitting down. Resident Advisor called it dub-tinged, Exclaim! heard a leisurely Italo pace, and the duo themselves describe it as more relaxed: electronic and downtempo, groovy, and hypnotic in a gentler way than the original.

Song Summary

The single Body Language, made with M.A.N.D.Y., was already a hit when Booka Shade came to finish their second album. Walter Merziger told Future Music that they did not want to put the original on it: it was too dancey and too well known. So they rebuilt it with a different approach, more broken beat and more acoustic. A jazz guitar from an early sample bank enters into what he calls a question-and-answer with the bassline, and that conversation is the track.

Musical Breakdown

Intro

PopMatters noted that the duo structured the album for home listening, with melodic intros and outros instead of DJ-friendly beginnings.

Main Section

The bass leads and the guitar replies. No source maps the track bar by bar, so listen for the exchange itself: one phrase low, one phrase higher, back and forth over a broken beat.

Outro

The track closes as part of a sequence: the duo spent the last two months of production on the running order, so that each piece of the album would blend into the next.

Concepts in Focus

This is an alternate version: the same writers returning to their own track with a new arrangement, not another producer remixing it. Comparing it with the club original in M.A.N.D.Y., Booka Shade – Body Language - Original Remaster shows how much of a record’s mood lives in its beat and sound rather than in its melody.

The heart of it is call and response between two instruments. Merziger describes a question-and-answer between the bassline and the guitar; neither is a voice, but they talk.

The bassline is the protagonist. Arno Kammermeier says they were crazy about storytelling basslines at the time, taking the bass from the bottom of the mix and making it dominant, and he hears in it the original Body Language aesthetic in a more relaxed way.

The guitar is an act of sampling: it was not played for the record but taken from an early sample bank.

Artistic Context

Booka Shade are Walter Merziger and Arno Kammermeier, co-founders of the Berlin label Get Physical Music. Movements came out on Get Physical on 16 May 2006, with this five-minute track credited to the duo together with DJ Pat Bo and Phil D. Young, as the original single had been shared with M.A.N.D.Y. The embedded upload is the album version from a later digital edition.

Impact and Reception

Resident Advisor called Movements one of the best albums of 2006 and possibly a classic, and Pitchfork placed it 50th among the albums of the year. Not everyone loved the opening: PopMatters felt the album took a while to warm up and would have dropped its first three tracks. Listen, and decide whether the anthem needed to sit down.

Learn from this track

Introductory

What you will learn

  • Explain how an alternate version by the same artists can change a track's mood while keeping its identity.
  • Hear call and response between two instruments, here a bassline and a sampled jazz guitar.
  • Describe what it means for a bassline to lead a track instead of supporting it.

Listening guide

  1. the opening A start made for home listening: PopMatters noted that the album gives its tracks melodic intros and outros rather than DJ tools.
  2. the bass The storytelling bassline that Arno Kammermeier describes as moved from the background to become the dominant element.
  3. the guitar The jazz guitar, taken from an early sample bank, answering the bassline in what Walter Merziger calls a question-and-answer.
  4. the beat What Merziger calls a more broken-beat approach, where the 2005 single had been, in his words, too dancey for the album.

Concepts in this track

bassline

67 tracks

The lowest melodic part of a track. In dance music it often carries the hook as much as the vocal does, and its rhythm against the kick drum defines the groove.

call and response

14 tracks

One phrase is answered by another: a lead voice and a choir, a vocal and an instrument. It comes from African and African-American traditions and runs through gospel, soul, funk and house.

alternate version

58 tracks

A second finished recording of the same song by the same artist, with a different arrangement, tempo or sound rather than a reworking by another producer. Comparing two versions shows how much of a song's mood comes from production rather than from melody and words.

sampling

63 tracks

Taking a fragment of an existing recording and reusing it in a new one, as a loop, a chop or a texture. Sampling is central to hip-hop and dance music and raises questions of credit and copyright.

Listen next, and why

Questions for discussion

  1. Booka Shade left their best-known version off their own album. What do artists gain and lose by doing that?
  2. If the bass and the guitar answer each other, which of them is the lead?
  3. Is this still Body Language? Which elements make a track recognisable after it has been rebuilt?

References

  1. MusicRadar. Classic album: Booka Shade on Movements (2019). Interview
  2. Resident Advisor. Booka Shade - Movements (2006). Review
  3. PopMatters. Booka Shade: Movements (2006). Review
  4. Exclaim!. Booka Shade - Movements (2006). Review
  5. Wikipedia. Movements (album). Encyclopedia
  6. YouTube. Body Language (Interpretation) (2022). Video

Weighted overlap of genres, feelings and moods.

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