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Published in reggae ·

Tom Fire, Linval Thompson

No Food (feat. Linval Thompson)

No Food brings the Jamaican roots singer and producer Linval Thompson to Low Fidelity, the 2015 second album of the Paris producer and beatmaker Tom Fire: reggae from a studio built on keyboards, with a refrain a dub reviewer promised would stay in your head.

Review

Genre and Mood

Tom Fire and Linval Thompson meet on No Food, reggae from a Paris studio with a Jamaican voice at its centre. The reviewer at Culture Dub heard a very catchy, melodic refrain that would stay in your head, and it is the hook that makes the track; the groove under it belongs to a producer whose first album was praised for its languid dub and whose second, Culture Dub found, runs on keyboards.

Song Summary

No Food came out as a single on 2 April 2015 and became the fifth of eleven tracks on Low Fidelity, Tom Fire’s second album, released on 4 September 2015 by Chapter Two Records with Wagram Music. It runs just over three minutes and a quarter. The guest is the point: Linval Thompson, a roots singer who began recording in the 1970s, sings over a production made forty years later. No source quotes or explains the lyric, so its subject is left to your ears.

Musical Breakdown

The Refrain

Culture Dub’s one detailed remark about No Food concerns its refrain: catchy, melodic, made to return. Listen for how the verses lead back to it.

The Production

The same review describes the album’s common thread as the keyboard in every form. Under Thompson’s voice, listen for the keys and for the dub roots that Longueur d’Ondes heard in Tom Fire’s first album.

Concepts in Focus

A <a href=“https://korczis.github.io/sonic-playground/concept/featured-artist/” class=“concept-link font-medium text-primary-700 underline decoration-dotted underline-offset-4 hover:decoration-solid dark:text-primary-400” data-concept=“featured-artist” title=“A guest performer credited on another artist’s track, usually as “feat.”: a rapper’s verse, a singer’s hook or a second voice. Features bring together different styles and audiences and are central to hip-hop, R&B and dance music.“>featured artist is a guest credited on another artist’s track. On a producer’s album the guest is usually the voice, and Low Fidelity is built that way: Soom T, Mélissa Laveaux, Flavia Coelho and Winston McAnuff each take a track, and Linval Thompson takes this one. Mélissa Laveaux, whose own Mélissa Laveaux – Needle in the Hay is reviewed here, sings Little Cake.

A hook is the part of a song built to stick, and the review’s promise that this refrain will stay in your head is a description of exactly that.

dub is the Jamaican art of remixing reggae in the studio, stripping it to drum and bass and adding echo. Thompson’s own productions became the basis of some of Scientist’s best-known dub albums, so the history runs through the singer as well as the producer.

Artistic Context

Tom Fire is the name under which the French producer Camille Ballon releases his own music; Culture Dub calls him a musician, producer and beatmaker, and his first album, The Revenge, came out in 2011. Linval Thompson, born in Kingston in 1954, worked with Lee “Scratch” Perry and Bunny Lee, released his debut album Don’t Cut Off Your Dreadlocks in 1976 and went on to produce Dennis Brown, Barrington Levy, Freddie McGregor and The Wailing Souls.

Impact and Reception

Culture Dub judged Low Fidelity an album of great musical quality. No Food is here because it was among the owner’s most played songs of 2022. Play it and see whether the refrain lets you go.

Learn from this track

Introductory

What you will learn

  • Explain what a featured artist brings to a producer's album, using Linval Thompson on No Food as the example.
  • Describe what a hook is and why a reviewer can promise that one will stay in your head.
  • Trace dub from Jamaican studios of the 1970s to a Paris producer's album of 2015.

Listening guide

  1. the refrain Culture Dub calls it very catchy and melodic, the part that stays in your head: listen for how often it comes back.
  2. the voice Linval Thompson, a Jamaican roots reggae singer recording since the 1970s: listen for a voice from that tradition over a 2015 production.
  3. the keys The same review names the keyboard, the instrument of black and white keys, as the common thread of the whole album: listen for it under the voice.
  4. the space in the mix Tom Fire's first album was praised for its languid dub: listen for room, echo and the bass, the marks dub leaves on reggae.

Concepts in this track

featured artist

116 tracks

A guest performer credited on another artist's track, usually as "feat.": a rapper's verse, a singer's hook or a second voice. Features bring together different styles and audiences and are central to hip-hop, R&B and dance music.

hook

99 tracks

The short, memorable idea a song is built to stick with you: a sung phrase, a riff, a synth line. A hook is designed for repetition and usually arrives early.

dub

16 tracks

A Jamaican practice of remixing a record by stripping it to drums and bass and treating the rest with echo, reverb and drop-outs. Dub's studio techniques shaped techno, house and electronic music at large.

Listen next, and why

Questions for discussion

  1. What changes when a producer builds a track around a guest singer instead of singing himself?
  2. A reviewer promises the refrain will stay in your head. Did it, and why?
  3. Linval Thompson produced records that Scientist turned into dub albums. What links his history to a French producer's reggae?

References

  1. Culture Dub. Tom Fire - Low Fidelity (2015). Review
  2. Longueur d'Ondes. Tom Fire (2011). Review
  3. Wikipedia. Linval Thompson. Encyclopedia
  4. MusicBrainz. Low Fidelity (2015). Database
  5. Apple Music. No Food (feat. Linval Thompson) - Single (2015). Database
  6. TomFiremusic. Tom Fire - No Food (feat. Linval Thompson) (2015). Artist

Weighted overlap of genres, feelings and moods.

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