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Published in dub ·

Stepart, Pupajim

Another Night

The Paris producer Stepart and Stand High Patrol's MC Pupajim on the 2013 release that introduced Stepart on the sound system's own label: dark, lo-fi electro dub that a reviewer found better suited to headphones than to a sound system.

Review

Genre and Mood

Stepart and Pupajim made Another Night as dub with electronic means: reggae’s studio art filtered through the bass culture of a Paris producer and the voice of Brittany’s Stand High Patrol. Its mood is dark, in the words of Culture Dub’s review, and introspective, a track the reviewer thought hard to play on a sound system but ideal for listening alone.

Song Summary

Another Night is the title track of the release with which Stand High Records, the sound system’s own label, introduced Stepart, a French dub and dubstep producer. He composed and produced it; Pupajim, Stand High Patrol’s MC, voiced it. A record shop summed up the result as low-fi instrumentals with touching, good vocals, filed under electro dub.

Musical Breakdown

No source times the track part by part; the one review that describes it speaks of its atmosphere and of one verse.

Main Section

Culture Dub heard the track as fresh and innovative, in a rather dark atmosphere, with the instrumentals that the shop called low-fi carrying Pupajim’s voice.

Verse 3

The review’s highlight is the third verse, in which Pupajim’s voice transcends itself and becomes almost unrecognisable.

Concepts in Focus

dub began in Jamaica as a way of remixing records, stripping them to drums and bass and treating the rest with echo and drop-outs. Sound systems such as Stand High Patrol play it live, and producers like Stepart, whom Culture Dub calls a pure child of bass culture, carried it into electronic production. A voice treated until it is almost unrecognisable, as the review hears in the third verse, belongs to that tradition of the studio as an instrument.

lo-fi production keeps the marks of modest means, and the shop’s word for these instrumentals helps explain the reviewer’s verdict: a sound that is intimate rather than massive suits headphones better than a wall of speakers. Compare the Paris beatmaker Tom Fire’s reggae in Tom Fire, Linval Thompson – No Food (feat. Linval Thompson).

Artistic Context

Stand High Patrol is a sound system from Brittany: Pupajim on the microphone, Mac Gyver as operator, Rootystep as selector and Merry on trumpet, with its own label, Stand High Records, since 2009. Stepart, according to Culture Dub the first artist the label signed, shared the 12-inch with the crew: his two tracks voiced by Pupajim, Another Night and Rainy City Blues, on the A side, and two Stand High Patrol dubs on the B side. The digital release came on 15 February 2013, with the 45 rpm vinyl, mastered by Christoph Grote-Beverborg, announced for the end of that month. The label released Stepart’s debut album, Playground, in 2017.

Impact and Reception

Culture Dub predicted the 12-inch would soon become a collector’s item. It is here as a night piece. Put it on late, with headphones, and wait for the third verse.

Learn from this track

Introductory

What you will learn

  • Explain how dub, a Jamaican studio practice, became the language of French sound systems and of producers like Stepart.
  • Describe what a lo-fi production gives a dub track meant for personal listening rather than a sound system.
  • Recognise how studio treatment can transform a voice until it is almost unrecognisable.

Listening guide

  1. the atmosphere Culture Dub heard a rather dark atmosphere: listen for how the track sets that mood before and around the voice.
  2. the instrumental The record shop Toolbox describes low-fi instrumentals under touching vocals: listen for the grain of the beat.
  3. the third verse Culture Dub singles out a high-flying third verse in which Pupajim's voice transcends itself and becomes almost unrecognisable.

Concepts in this track

dub

16 tracks

A Jamaican practice of remixing a record by stripping it to drums and bass and treating the rest with echo, reverb and drop-outs. Dub's studio techniques shaped techno, house and electronic music at large.

lo-fi

6 tracks

Music recorded with modest means, often at home, that keeps the marks of its making: room noise, simple equipment, imperfect takes. Lo-fi can be a necessity or a deliberate aesthetic, and many listeners hear it as more intimate than polished studio sound.

Listen next, and why

Questions for discussion

  1. A reviewer found Another Night hard to play on a sound system but ideal for personal listening. What makes a dub track work on headphones rather than on a wall of speakers?
  2. Why might a producer choose a lo-fi sound on purpose?
  3. When a voice is transformed until it is almost unrecognisable, is it still the singer's voice?

References

  1. Culture Dub. Stand High Patrol & Step Art - 12 inch Another Night (2013). Review
  2. Stand High Patrol. SH005 Another Night: Stand High Patrol meets Stepart. Label
  3. Dubsounds. Stand High Patrol / Stepart & Pupajim: Another Night 12inch (2013). Article
  4. Toolbox Records. Stand High Patrol 04 (2013). Database
  5. Discogs. Stand High Patrol & Stepart - Another Night (2013). Database
  6. MusicBrainz. Another Night (2013). Database
  7. Wikipedia. Stand High Patrol. Encyclopedia
  8. Stepart - Topic. Another Night. Video

Weighted overlap of genres, feelings and moods.

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