Skip to content
Published in electronic ·

Nonku Phiri

Things We Do on the Weekend

Nonku Phiri's 2015 debut solo single, produced by Narch Beats of PHFat: a sultry tale of a fling gone wrong, set to hazy beats, click percussion and a deep, bass-rooted beat grown from jams on old-school kwaito.

Review

Genre and Mood

Nonku Phiri’s Things We Do on the Weekend is electronic R&B with hip-hop and kwaito in its blood, sultry and hypnotic rather than loud. Okayafrica called it “a sultry tale set to hazy beats and click percussion”; for Texx and the City it starts off unassuming and moody, and the moodiness stays to the end.

Song Summary

The song tells of a romance gone wrong: in Nonku’s own note, quoted by Okayafrica, “a narrative of a girl going through the motions of courtship”, meant to be “cheeky and very honest”. Texx and the City heard her croon in the R&B spirit of Rozonda Thomas around Crazy Sexy Cool, over a beat by Narch Beats of the Cape Town collective PHFat whose simplicity it found “effectually beautiful”.

Musical Breakdown

No review we found walks through the track part by part or gives times, so this breakdown keeps to what the reviews describe.

The Beat

The track is “underpinned by a deep bass-rooted, monotone beat”, in Texx and the City’s words: a low, steady foundation the song never leaves.

The Percussion

That beat is “peppered by a whizz here and a click there”. Okayafrica’s click percussion and Think In Electronic’s “fragmented beats” point the same way: small, broken-up sounds over the bass.

The Voice

Over it comes the croon, the “hypnotic vocals” Think In Electronic heard.

Concepts in Focus

kwaito is South African house slowed down, born in Soweto in the late 1980s and 1990s: deep basslines, drum machines, catchy loops and vocals that often talk rather than sing. Nonku told Okayafrica that she and Narch “had been listening to a whole bunch of reaaaaaaaallly old school kwaito tracks”, naming Mawillies, Spokes H and TKZee. Listen for what the finished song keeps, above all the weight of the low end.

The loop is where the song began. The two “started jamming on a couple of loops”, she said, and weeks or months later “the track organically grew into a sexy jam”. That origin is still audible in the monotone beat, a base that does not change.

Artistic Context

Nonku Phiri is a South African singer and songwriter, the daughter of the late guitarist and bandleader Ray Phiri. Before going solo she was a trusted collaborator of PHFat, the Cape Town electro-rap outfit, as her rap alter ego Jung Freud. Things We Do on the Weekend, premiered on 8 April 2015, was her first solo single, recorded at PHFat’s headquarters in Hout Bay “on a random Wednesday evening”. She calls herself “an extroverted introvert”: her two names let her tap into both sides.

Impact and Reception

Think In Electronic called her one to watch “not only in the local music scene but internationally as well”. Music In Africa’s profile later called the single “internationally acclaimed”; by 2018 Mail & Guardian counted Branko, heard in Branko, SKIP&DIE, Fellow – Made of Gold, among the artists her voice had featured with. It is here for its restraint: a fling gone wrong told over a bass, a few clicks and a voice. Play it late, when the weekend is almost over.

Learn from this track

Introductory

What you will learn

  • Describe kwaito, the South African house variant that Nonku Phiri and Narch Beats were listening to when the song began.
  • Explain how a song can grow from a couple of jammed loops into a finished track over weeks or months.
  • Hear how a monotone, bass-rooted beat with only small sounds on top can carry a whole song.

Listening guide

  1. the beat The deep, bass-rooted, monotone beat Texx and the City describes: the low, steady base under everything.
  2. the percussion The click percussion Okayafrica hears and the whizz here and click there of Texx and the City, small sounds scattered over the beat.
  3. the voice Nonku Phiri's croon, which Texx and the City heard in the R&B spirit of Rozonda Thomas in the Crazy Sexy Cool era, and Think In Electronic called hypnotic.
  4. the story A girl going through the motions of courtship in a romance gone wrong, told, as the singer put it, cheeky and very honest.

Concepts in this track

loop

27 tracks

A section of sound repeated seamlessly. Loops, from tape to software, are the building block of hip-hop, house and techno, where change comes from what is added or taken away.

kwaito

1 track

A South African genre that emerged in Soweto and the Johannesburg townships between the late 1980s and the 1990s: house music slowed down, with deep synthesised basslines, drum machines, catchy melodic and percussive loops and vocals often delivered in a conversational or narrative style. It became the sound of the generation that came of age after apartheid.

Listen next, and why

Questions for discussion

  1. The song began with old-school kwaito records and a couple of loops. What, if anything, do you still hear of kwaito in the finished track?
  2. Texx and the City found the track beautiful because of its simplicity. When does leaving things out make a song stronger?
  3. Nonku Phiri calls herself an extroverted introvert and has recorded under two names. How might an alter ego change the music an artist makes?

References

  1. Okayafrica. Nonku Phiri Makes Stunning Debut With 'Things We Do On The Weekend' (2015). Interview
  2. Texx and the City. Nonku Phiri: Things We Do On The Weekend (2015). Review
  3. Think In Electronic. Nonku Phiri Shares Things We Do On The Weekend (2015). Review
  4. Music In Africa. Nonku Phiri. Article
  5. Mail & Guardian. Nonku Phiri reloaded (2018). Article
  6. Nonku Phiri. Nonku Phiri - Things We Do On The Weekend (2015). Video
  7. MusicBrainz. Things We Do on the Weekend (recording). Database
  8. Wikipedia. Kwaito. Encyclopedia

Weighted overlap of genres, feelings and moods.

Neighbourhood

This track, the tracks most like it and theirs. Drag, zoom, hover; a dot opens the track.

Show as table