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Published in deep house ·

Nils Penner

The Thing

Nils Penner's first single for Berlin's Exploited is light-footed deep house built on a heavy groove and a carefully shaped bassline, made for the first warm evenings of spring.

Review

Genre and Mood

Nils Penner made The Thing as deep house in the plainest, most useful sense: a groove, a bassline and enough air above them to keep a room moving without pushing it. The mood is groovy and carefree, a little playful, the kind of track that sounds best early in a night or on the first warm evening of the year.

Song Summary

The Thing has no story to tell; it is built from the bottom up. The label’s own description names the ingredients exactly: deep house, heavy grooves and well thought-out basslines, in a balance that never tips over. What makes it memorable is the contrast between a solid low end and a lightness on top, which the release notes call an ideal fit for the beginning of spring.

Musical Breakdown

At five minutes and fifty-five seconds, the track has time to build its groove in layers; listen to it in that order.

Intro

Listen to how the beat and the low end are set out, and how much of the groove is in place before anything lighter joins it.

Main Section

Listen for the bassline the label calls well thought out, and for how it moves around the kick instead of simply doubling it.

Climax

Listen for the lighter elements over the heavy groove, the light-hearted side the notes describe.

Outro

A club track of this length is made to be mixed; listen to how this one prepares its exit for the next record.

Concepts in Focus

A bassline in deep house is often more than support. The label’s notes single out Penner’s well thought-out basslines; follow this one alone for a minute and hear how much of The Thing rests on it.

The house groove is steady, but what matters is its weight. A heavy groove can still feel light if what sits above it is light, and that is the balance the release notes describe.

Then there is club culture. Exploited has returned to The Thing twice, on its year-end compilation #Exploited 2014 FFWD RWD and, as track 41, on 10 Years Exploited in December 2017. Labels like this work as a community of DJs and producers, and the same label gave Claptone, Clap Your Hands Say Yeah – Ghost its start.

Artistic Context

Nils Penner is a DJ and producer from Bremen and one half of the duo Penner+Muder with John Muder. Before this single he had released on Absurd Recordings, Plastic City, Wazi Wazi Music and Freerange. The Thing, paired with Bubbles, was his first release on Exploited, the Berlin label of Shir Khan, whose ear it credits with launching Claptone, Adana Twins and Joyce Muniz: a digital single catalogued EXPDIGITAL64, out in spring 2014. It sits close to the melodic German deep house of Marek Hemmann – Gemini.

Impact and Reception

The Thing never needed a hit to last. It reached listeners through Exploited’s catalogue and its compilations, and it is here because it shows how much a groove and a bassline can do alone. Play it on a spring evening with the windows open.

Learn from this track

Introductory

What you will learn

  • Explain how a bassline can carry a deep house track as much as its melody does.
  • Describe a house groove that feels light while the low end stays heavy.
  • Explain how a label's compilations keep a club track in circulation years after its release.

Listening guide

  1. the opening How the beat and the low end are laid out, and how much of the groove is in place before anything lighter joins it.
  2. the bassline The line the label calls well thought out: listen to how it moves against the kick rather than doubling it.
  3. the middle The lighter elements over the heavy groove, the light-heartedness the release notes promise for the start of spring.
  4. the ending How a track of almost six minutes winds down so that it can be mixed into the next one.

Concepts in this track

club culture

34 tracks

The world of nightclubs, DJs, dancers and their rituals in which house, techno and much dance music were made and are judged.

bassline

67 tracks

The lowest melodic part of a track. In dance music it often carries the hook as much as the vocal does, and its rhythm against the kick drum defines the groove.

house groove

45 tracks

The rhythmic signature of house music: a four-on-the-floor kick, off-beat hi-hats and claps on two and four, at roughly 118 to 128 beats per minute.

Listen next, and why

Questions for discussion

  1. The label's notes call the track light-hearted and its grooves heavy. Can a piece of music be both at once?
  2. The Thing has been reissued on two Exploited compilations. What does a label gain by returning to its own catalogue?
  3. Nils Penner also works as one half of a duo. How might working alone change what a producer makes?

References

  1. Bandcamp. The Thing, by Nils Penner (2014). Artist
  2. Discogs. Nils Penner - The Thing (2014). Database
  3. Discogs. Nils Penner. Database
  4. Exploited. Nils Penner - The Thing | Exploited (2014). Video
  5. Exploited. Nils Penner - The Thing (10 Years Exploited) (2017). Video
  6. Exploited. 10 Years Exploited (2017). Label

Weighted overlap of genres, feelings and moods.

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