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Published in indie pop ·

Metronomy

The Bay

The third single from Metronomy's The English Riviera (2011): jolting synths, high-pitched harmonies and Joseph Mount's list of the cities this stretch of Devon coast is not, a summer song that one critic called the album's centrepiece.

Review

Genre and Mood

Metronomy’s The Bay is indie pop built from synth-pop parts, nostalgic and groovy, a carefree summer song from a band founded in Totnes, Devon. DIY heard in it the sound of a dance-inducing, retro-shades-sporting summer.

Song Summary

The Bay is the seventh track of The English Riviera, Metronomy’s third album, released by Because Music in April 2011, and became its third single on 10 June 2011. The English Riviera is the nickname of Torbay, and The Bay is the album’s most direct postcard from it: a song about a seaside place that insists, in its best-known line, on everywhere it is not. Joseph Mount wrote, produced and arranged it and plays most of it himself.

Musical Breakdown

The sources describe the song’s parts rather than their order, so this breakdown goes part by part.

Main Section: A One-Man Rhythm Section

Mount is credited with the drums, bass guitar, percussion and congas on this track, a groove Tone Deaf heard threatening to unleash a dancefloor pump.

The Synths: Jolting and Retro

DIY describes jolting synths and high-pitched harmonies; the credits name a Minimoog and an EDP Wasp, plus guitar, and Oscar Cash on saxophone.

The Hook: Not Paris, Not London

The hook is a list: this isn’t Paris, and it isn’t London, Berlin, Hong Kong or Tokyo, with a promise to take you back one day. DIY called the line as infectious as it comes.

Outro: The Release That Never Comes

Tone Deaf heard the song hold back from that dancefloor release and recoil into the album’s mood; no source describes the ending in more detail.

Concepts in Focus

The keyboards are an analog synthesizer sound. The Minimoog, from the early 1970s, and the small EDP Wasp make their tones from voltage-controlled circuits rather than samples or software, which gives them the warm, slightly unstable, retro colour that suits a song about an old-fashioned holiday coast.

The hook works by negation. Naming the great cities only to say this is none of them makes a small seaside town sound proud and a little absurd at once, and gives the listener a line to sing back.

The music video, directed by David Wilson, intersperses bird’s-eye views of Torbay with the band performing around Torquay. It won best editing at the Antville Music Video Awards and a D&AD Wood Pencil. The page plays the band’s own upload of the album version.

Artistic Context

Metronomy began as Joseph Mount’s bedroom project in Totnes, Devon. The English Riviera was the first album with bassist Olugbenga Adelekan and drummer Anna Prior in the band; NME later placed it second among the albums of 2011, and it was nominated for the Mercury Prize. Three years later came Metronomy – Love Letters (Soulwax Remix).

Impact and Reception

Critics split on the song itself. DIY called it the album’s centrepiece; Drowned in Sound heard a sequel to Holiday, the track most like the old Metronomy, the weakest thing on the album and still the equal of anything on Nights Out. The Bay was nominated for Best Dancefloor Filler at the 2012 NME Awards. Play it when the days get long.

Learn from this track

Introductory

What you will learn

  • Recognise the sound of analog synthesizers such as the Minimoog in an indie pop arrangement.
  • Explain how a list of places can work as a hook and carry a song's idea.
  • Describe how a music video can tie a song to a real place, here Torbay and Torquay.

Listening guide

  1. the synths The jolting synths DIY heard, played by Joseph Mount on a Minimoog and an EDP Wasp among the album's credited instruments.
  2. the harmonies High-pitched harmonies around Mount's lead, part of what DIY called the sound of a dance-inducing, retro summer.
  3. the hook The line that begins with this isn't Paris and lists the cities the English Riviera is not, the moment DIY called as infectious as it comes.
  4. the groove Congas, percussion and Mount's own bass guitar and drums; Tone Deaf heard the song threaten to unleash a dancefloor pump before recoiling.

Concepts in this track

music video

144 tracks

A short film made to accompany a song. Since MTV it has shaped how songs are remembered, and on YouTube it is often the main way a song is heard.

hook

99 tracks

The short, memorable idea a song is built to stick with you: a sung phrase, a riff, a synth line. A hook is designed for repetition and usually arrives early.

analog synthesizer

10 tracks

A synthesizer whose sound is made by analog circuits rather than computation. Their slight instability gives a warmth many producers seek, even emulated in software.

Listen next, and why

Questions for discussion

  1. The song names five world cities only to say it is not in any of them. Why might a song about home work by listing elsewhere?
  2. One critic called The Bay the album's centrepiece, another its weakest track. Can both be right?
  3. Joseph Mount plays most of the instruments here himself. What does a band gain or lose when one person builds the record?

References

  1. Wikipedia. The English Riviera (album). Encyclopedia
  2. Wikipedia. Metronomy. Encyclopedia
  3. DIY. Metronomy - The English Riviera (2011). Review
  4. Drowned in Sound. Album Review: Metronomy - The English Riviera (2011). Review
  5. Tone Deaf. Metronomy - The English Riviera (2011). Review
  6. YouTube. Metronomy - The Bay (Official Audio) (2012). Video

Weighted overlap of genres, feelings and moods.

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