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Published in soul ·

Her, AnnenMayKantereit, Roméo Elvis

On & On

On the 2018 debut album of the French band Her, the German band AnnenMayKantereit and the Belgian rapper Roméo Elvis join a satire of social media's dictates set over electro, written by Victor Solf and the late Simon Carpentier.

Review

Genre and Mood

Her built their sound from soul, hip-hop and electronic music, and On & On puts all three in one track, with guests from Germany and Belgium. It is satirical in subject and reflective in tone: Numéro heard a song that runs down the dictate of social media, set over electro, and called it as ambitious as it is convincing.

Song Summary

On & On is the fifth track of Her, the band’s first album, released by Barclay on 30 March 2018. Its subject, in Numéro’s reading, is social media and the artifice it pushes on people. The credits make it a meeting of three acts: Victor Solf sings and plays keyboards, Simon Carpentier plays guitar and sings, and AnnenMayKantereit, from Cologne, and the Brussels rapper Roméo Elvis add their voices and co-wrote the words. Mathieu Gramoli plays drums, Louis Kuipers guitar and Thomas Clairice bass, with five backing singers.

Musical Breakdown

The Bed

No source describes the song section by section. What Numéro gives is the setting: a backdrop of electro under a full band of keyboards, guitars, bass and drums.

The Guests

The song’s shape comes from its voices. Solf leads; AnnenMayKantereit, whose singer Henning May is known for a distinct, rough voice, and Roméo Elvis join him. Listen for the change each one brings.

Concepts in Focus

A <a href=“https://korczis.github.io/sonic-playground/concept/featured-artist/” class=“concept-link font-medium text-primary-700 underline decoration-dotted underline-offset-4 hover:decoration-solid dark:text-primary-400” data-concept=“featured-artist” title=“A guest performer credited on another artist’s track, usually as “feat.”: a rapper’s verse, a singer’s hook or a second voice. Features bring together different styles and audiences and are central to hip-hop, R&B and dance music.“>featured artist is a guest credited on another artist’s track, and here there are two, from two scenes and two countries. AnnenMayKantereit are a Cologne band who sing mostly in German; Roméo Elvis is a Belgian rapper from a French-speaking family of artists. Both are credited for lyrics as well as vocals, so they shaped what the song says, not only how it sounds.

mixing is the stage where every recorded part is balanced into one finished track. With this many voices and players, it matters: the credits name Michael Declerck, who also co-produced the song with Her, and Maxime Leguil as mixing engineers, and Antoine Thibaudeau for the mastering that followed.

Artistic Context

Her began as the Rennes duo of Simon Carpentier and Victor Solf, heard here in Her – Five Minutes and Her – Her. Carpentier died of cancer on 13 August 2017, aged 27, and Solf carried on as Her alone; the album came out seven months later with both men credited as writers of this song.

Impact and Reception

The collaboration did not chart in Germany, Austria or Switzerland, according to AnnenMayKantereit’s discography. Numéro saw the album as a hybrid style new to France, and Her played the Olympia in Paris that April. On & On is the album’s widest reach, three acts in one song. Play it and count the voices.

Learn from this track

Introductory

What you will learn

  • Explain what featured artists from two other countries and languages bring to a band's song, using AnnenMayKantereit and Roméo Elvis on On & On.
  • Describe what mixing is and why a record credits mixing engineers separately from its producers.
  • Discuss how a song can satirise social media while staying a pop song.

Listening guide

  1. the voices Victor Solf leads, with AnnenMayKantereit and Roméo Elvis credited as vocalists and co-writers of the words: listen for each new voice as it arrives.
  2. the backdrop Numéro describes the song as set over electro: listen for the electronic bed under the band.
  3. the band The credits name a full band, keyboards, two guitars, bass and drums, plus five backing singers: listen for how they sit together in the mix.
  4. the words A satire of the dictate of social media and the artifice it encourages, in Numéro's reading.

Concepts in this track

featured artist

116 tracks

A guest performer credited on another artist's track, usually as "feat.": a rapper's verse, a singer's hook or a second voice. Features bring together different styles and audiences and are central to hip-hop, R&B and dance music.

mixing

31 tracks

The stage of making a record where all the recorded parts are balanced into one finished stereo track: their levels, placement, tone and effects. Mixing comes after recording and before mastering, and is often done by a specialist rather than by the producer.

Listen next, and why

Questions for discussion

  1. A French band, a German band and a Belgian rapper share one song. What does each bring that the others could not?
  2. Can a song criticise social media and still hope to spread through it?
  3. Two mixing engineers are credited besides the producers. What decisions happen in the mix that the listener hears but rarely notices?

References

  1. Numéro. Her dénigre les réseaux sociaux sur une mélodie somptueuse (2018). Article
  2. Wikipédia. Her (groupe). Encyclopedia
  3. Shazam. On & On (feat. AnnenMayKantereit & Roméo Elvis) (2018). Database
  4. Wikipedia. AnnenMayKantereit. Encyclopedia
  5. Wikipedia. Roméo Elvis. Encyclopedia
  6. HerVEVO. Her - On & On ft. AnnenMayKantereit, Roméo Elvis (2018). Video

Weighted overlap of genres, feelings and moods.

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