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Published in electronic ·

Emika

Without Expression

The sixth track of Emika's self-produced 2015 album DREI and the one that strays furthest from her usual sound: a real guitar, a Banks-like R&B intimacy and, to one critic, a drift towards twisted lounge jazz.

Review

Genre and Mood

Emika’s Without Expression is electronic music leaning into R&B, and the reviews agree it is DREI’s most unusual track. Glamglare heard it stray farthest from her musical comfort zone, close to some sort of twisted lounge jazz; Spectrum Culture heard a Banks-like R&B vibe that enhances its soul and intimacy. Hence the feelings here: intimate and soulful.

Song Summary

The song is the sixth of eleven tracks on DREI and runs four minutes and twenty-four seconds. What sets it apart is simple: for once, as Glamglare put it, there is a real guitar in it. Ibiza Spotlight placed it in the album’s second half, where the record nudges towards seductive R&B pop, and Spectrum Culture read in its motifs the creative strain Emika felt under record label protocol, before she produced, mixed and mastered DREI herself.

Musical Breakdown

No source walks through the track section by section; the reviews name its colours, the guitar, the vocal and the lounge-jazz drift, so the breakdown is built around them.

Intro

No source describes how the song opens. Listen for when the guitar first appears, and whether it leads or answers.

Main Section

Here the reviews meet. The guitar gives the track a played, human colour that the album’s other songs mostly lack; the vocal carries the R&B intimacy Spectrum Culture heard. Listen too for what Glamglare called twisted lounge jazz: something relaxed and late-night, pulled slightly out of shape.

Outro

No source describes the ending. Listen for whether the guitar or the voice is the last to go.

Concepts in Focus

Because Emika did the mixing of DREI herself, how loud the guitar sits against her voice and the electronics is her decision, and on this track it is the decision that matters most: one acoustic colour placed in an electronic mix.

An alternate version lets you check that. In 2017 she released DREI as instrumentals and a cappellas, and Without Expression is among the instrumentals. Played after the original, it shows what the guitar and the arrangement do when the voice is gone, and how much of the song’s intimacy belonged to the vocal.

Artistic Context

Emika is Ema Jolly, born in Milton Keynes to a Czech mother and based in Berlin. She left Ninja Tune, which had released her first two albums, and released DREI on her own Emika Records on 4 May 2015. Glamglare heard the album’s prevailing mood as cold passion, in songs such as Emika – My Heart Bleeds Melody; Without Expression follows Emika – What’s the Cure and moves the other way.

Impact and Reception

Both Glamglare and Spectrum Culture singled the track out as the album’s turn, towards guitar and lounge jazz for one and towards soulful R&B for the other. Listen for the guitar, then decide whether the title describes the song or what it is singing against.

Learn from this track

Introductory

What you will learn

  • Hear how a single acoustic colour, here a real guitar, can move an electronic artist away from her usual sound.
  • Describe what critics mean by an alternative R&B vibe and how it changes the intimacy of a vocal.
  • Explain how an instrumental version lets a listener hear a mix without its voice.

Listening guide

  1. the guitar For once a real guitar, which Glamglare heard as the sign that this track strays farthest from Emika's comfort zone.
  2. the vocal The Banks-like R&B vibe that, for Spectrum Culture, enhances the soul and intimacy of the song.
  3. the whole track What Glamglare called a drift close to some sort of twisted lounge jazz.

Concepts in this track

alternate version

58 tracks

A second finished recording of the same song by the same artist, with a different arrangement, tempo or sound rather than a reworking by another producer. Comparing two versions shows how much of a song's mood comes from production rather than from melody and words.

mixing

31 tracks

The stage of making a record where all the recorded parts are balanced into one finished stereo track: their levels, placement, tone and effects. Mixing comes after recording and before mastering, and is often done by a specialist rather than by the producer.

Listen next, and why

Questions for discussion

  1. A song called Without Expression that critics hear as soulful and intimate: is the title a contradiction or a disguise?
  2. Spectrum Culture read the song as a trace of the creative strain of working under a label's protocol. How far should a listener read an artist's career into a song?
  3. Why might one real guitar change how an electronic record feels more than another synthesizer would?

References

  1. Glamglare. NEW ALBUM: Emika - Drei (2015). Review
  2. Spectrum Culture. Emika: DREI (2015). Review
  3. Ibiza Spotlight. Album of the week: Emika 'DREI' (2015). Review
  4. Emika (Bandcamp). DREI (2015). Artist
  5. MusicBrainz. Drei (Instrumentals & A Capellas). Database
  6. Wikipedia. Emika. Encyclopedia
  7. Emika Records. EMIKA - Without Expression (2015). Video

Weighted overlap of genres, feelings and moods.

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