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Published in indie folk ·

Angus & Julia Stone

Big Jet Plane

Soft guitars, sibling harmonies and a daydream of flying away with someone: Big Jet Plane drifts in slowly and stays with you long after it lands.

Review

Genre and Mood

Angus & Julia Stone made Big Jet Plane sound like it was recorded on a lazy afternoon with the windows open. It is indie folk at its gentlest, acoustic and unhurried, with a mood that is dreamy, romantic and softly nostalgic: a love song about leaving everything behind, sung by someone in no hurry to go.

Song Summary

The lyric is a fantasy of escape, of taking someone away on a big jet plane to somewhere far from here. Angus sings lead in his drowsy, laconic voice, Julia’s higher harmony curls around it, and the arrangement grows from guitar into a quiet swell of drums and a fuller band. The memorable detail is the sibling blend, two voices that sound like they share one breath.

Musical Breakdown

Intro

A soft, repeating guitar figure opens the song, warm and slightly hazy, as if heard through a summer screen door.

Verse 1

Angus enters almost mumbling, his phrasing loose and sleepy. The words paint a simple picture, and the guitar keeps rocking gently underneath.

Chorus

The title line arrives with Julia’s harmony, and the song lifts just enough to feel like take-off, lighter and brighter without losing its calm.

Build-up

Drums and fuller instrumentation gradually join, the arrangement swelling in slow waves rather than one big rise.

Climax

The last choruses carry the most weight, voices and band together, the daydream at its most vivid and its most tender.

Outro

The band pulls back and the guitar is left alone again, the plane disappearing into the clouds. It ends the way a good daydream does, gently and a little too soon.

Concepts in Focus

The song is a gentle lesson in vocal harmony. Julia does not decorate Angus’s melody from a distance; she sings close above it, and the siblings’ similar timbre makes the two lines fuse into one wider voice. Notice how much warmer the chorus feels the moment her part arrives, even though nothing gets louder.

The hook is the title line itself, a simple, childlike image repeated until it sticks. It is a useful counterexample to the idea that hooks must be loud: this one is sung almost sleepily, and its pull comes from the melody and the repetition alone. That melody is sturdy enough that dance producers keep rebuilding the song, from Jan Blomqvist – Big Jet Plane to Recable – Big Jet Plane (Recable Remix).

Big Jet Plane also exists as an alternate version by its own writer. Angus Stone first recorded it under his solo alias Lady of the Sunshine for the 2009 album Smoking Gun, produced by Govinda Doyle; the siblings’ 2010 re-recording, co-produced again by Doyle, is the one that became a standard. Comparing the two shows how much a duo’s second voice changes a song that was already written.

Artistic Context

Angus and Julia Stone are a brother-and-sister duo from Australia. Angus wrote “Big Jet Plane” and first released it as Lady of the Sunshine in March 2009; the siblings then made it the third single from Down the Way, their second album, issued on 7 May 2010 by EMI. They produced most of the album themselves. Down the Way debuted at number 1 on the ARIA albums chart and won Album of the Year at the 2010 ARIA Music Awards, where the Stones also won Producer of the Year.

Impact and Reception

The song won Single of the Year at the 2010 ARIA Music Awards and topped triple j’s Hottest 100 of 2010, the Australian listener poll, later placing ninth in the station’s Hottest 100 of the 2010s. It peaked at 21 in Australia and 23 in France, but its life has been longer than its chart run: it is certified 11 times platinum in Australia and platinum in the US, and it has been covered and remixed many times, from Jan Blomqvist’s 2011 electronic cover to the 2017 version by Alok and Mathieu Koss. Put on headphones, close your eyes and let it carry you somewhere far away.

Learn from this track

Introductory

What you will learn

  • Hear how two related voices in close harmony can sound like a single, doubled voice.
  • Identify the hook of a song that never raises its volume to deliver it.
  • Compare two recordings of one song by the same writer and say what the second one changed.

Listening guide

  1. the intro A soft, repeating guitar figure, warm and unhurried, that carries the whole song.
  2. the first verse Angus's drowsy, laconic lead, phrased loosely, almost spoken.
  3. the chorus The title line, where Julia's higher harmony joins and the song lifts just enough to feel like take-off.
  4. the later choruses Drums and a fuller band have joined, so the same hook lands with more weight without getting any louder in spirit.

Concepts in this track

hook

70 tracks

The short, memorable idea a song is built to stick with you: a sung phrase, a riff, a synth line. A hook is designed for repetition and usually arrives early.

vocal harmony

11 tracks

Two or more voices singing different notes at the same time, so that together they sound a chord. Stacked harmonies make a chorus feel wider and warmer.

A second finished recording of the same song by the same artist, with a different arrangement, tempo or sound rather than a reworking by another producer. Comparing two versions shows how much of a song's mood comes from production rather than from melody and words.

Listen next, and why

Questions for discussion

  1. Siblings often blend unusually well. What makes this blend sound like one breath rather than two singers?
  2. Angus recorded the song first under his solo alias Lady of the Sunshine. Why might a writer re-record a song with a different line-up?
  3. The song has become a template for dance remixes. What in its melody makes it survive a completely different beat?

References

  1. Wikipedia. Big Jet Plane. Encyclopedia
  2. Wikipedia. Down the Way. Encyclopedia

Weighted overlap of genres, feelings and moods.

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