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Published in hip-hop ·

Ms. Dynamite

Dy-Na-Mi-Tee

Ms. Dynamite spells out her own name in a singalong hook and raps about where she came from: a Salaam Remi production from the Mercury Prize-winning A Little Deeper that took her to number five in the UK in 2002.

Review

Genre and Mood

Ms. Dynamite introduces herself on Dy-Na-Mi-Tee, literally. It is hip-hop and R&B with what The A.V. Club heard as a reggae inflection in her voice, upbeat and catchy, and its confidence is not a pose: it is a young Londoner telling you who she is and where she comes from.

Song Summary

The title breaks her stage name into syllables. In the verses, as Vice put it, she raps about her upbringing and about music as escapism. Salaam Remi produced the track and wrote it with her; the credits also name Leonard Hibbert and Clement Dodd. Nathan Rabin of The A.V. Club heard the song consciously evoking the singalong infectiousness of the Fugees’ Fu-Gee-La, which Remi had co-written.

Musical Breakdown

No source we found walks through Dy-Na-Mi-Tee part by part, so this breakdown stays with what the critics describe. Vice heard her rapping about where she grew up, and her delivery and lyrics, which preach responsibility and self-love, invited comparisons with Lauryn Hill. The A.V. Club heard a singalong in the manner of Fu-Gee-La and, in her voice, something like a more reggae-inflected Nelly Furtado. The official video puts her in a distressed denim two-piece, an image Vice still recalled fifteen years later. Listen for the rapped verses, the name in the hook and the colour of her voice.

Concepts in Focus

The title of Dy-Na-Mi-Tee splits a single word into syllables, which gives it a rhythm before any melody is added, and The A.V. Club heard the result as a singalong. That is how a hook can work: listen for where the name comes back and how easily a crowd could chant it.

The word is a stage persona. Niomi McLean-Daley performs as Ms. Dynamite, and the song is that persona’s manifesto. Vice described her lyrics as preaching responsibility and self-love, so the persona is less a mask than a statement of values.

The music video fixed that image: Ms. Dynamite in denim, on her own terms. Compare how another young woman of those years handled image and a guest rapper on Kelis, Terrar – Good Stuff.

Artistic Context

Born in 1981 and raised in Kentish Town, London, Ms. Dynamite first became known for her vocals on Sticky’s UK garage track Booo!, a pirate radio staple. Her debut album A Little Deeper came out on Polydor on 10 June 2002, with ten tracks produced by Salaam Remi, a producer who had worked with the Fugees and would later work with Amy Winehouse. Dy-Na-Mi-Tee followed as its second single on 26 August 2002.

Impact and Reception

The single reached number five in the UK, her highest position until Lights On with Katy B in 2010, and number two on the UK hip-hop and R&B chart. A Little Deeper won the 2002 Mercury Prize; Vice notes she was its first black solo female winner, at 21, and she gave the £20,000 to the NSPCC. In 2003 she won two Brit Awards. Play it and try not to spell along.

Learn from this track

Introductory

What you will learn

  • Explain how a stage name can become the hook of a song and part of an artist's message about herself.
  • Describe how a producer's earlier work, here Salaam Remi's with the Fugees, can echo in a new artist's single.
  • Tell rapping from singing in the voice of an artist known for both.

Listening guide

  1. the hook The stage name broken into syllables; The A.V. Club heard in the song the singalong infectiousness of the Fugees' Fu-Gee-La.
  2. the verses Ms. Dynamite rapping, as Vice put it, about her upbringing and about music as escapism.
  3. her voice The reggae inflection The A.V. Club heard in her singing. She is a singer and a rapper: no source maps where she does which, so listen for it.

Concepts in this track

music video

144 tracks

A short film made to accompany a song. Since MTV it has shaped how songs are remembered, and on YouTube it is often the main way a song is heard.

stage persona

10 tracks

An invented identity that a musician performs as: a mask, a character, a cartoon band or a pair of robots. A persona lets artists play with fame and image, keep their private selves hidden, and make the character part of the music's meaning.

hook

99 tracks

The short, memorable idea a song is built to stick with you: a sung phrase, a riff, a synth line. A hook is designed for repetition and usually arrives early.

Listen next, and why

Questions for discussion

  1. Ms. Dynamite turned her own stage name into a chorus. What does a song gain when an artist introduces herself by name?
  2. Critics compared her to Lauryn Hill. When is a comparison like that a compliment, and when does it hide what is new?
  3. She gave her Mercury Prize money to a children's charity. Should an artist's actions outside music change how we hear her songs?

References

  1. Wikipedia. Dy-Na-Mi-Tee. Encyclopedia
  2. Wikipedia. A Little Deeper. Encyclopedia
  3. Wikipedia. Ms. Dynamite. Encyclopedia
  4. Wikipedia. Salaam Remi. Encyclopedia
  5. The A.V. Club. Ms. Dynamite: A Little Deeper (2003). Review
  6. Vice. The Greatest UK MCs of All Time: Ms Dynamite (2017). Article
  7. YouTube (MsDynamiteVEVO). Ms. Dynamite - Dy-Na-Mi-Tee (official video). Video

Weighted overlap of genres, feelings and moods.

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