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    <title>Sonic Playground - energizing</title>
    <subtitle>Discover music that moves you, not algorithmic noise. Hand-picked, authentic, and sometimes messy, just like life.</subtitle>
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    <updated>2024-10-02T00:00:00+00:00</updated>
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    <entry xml:lang="en">
        <title>Ryan Blyth - Once Twice feat. Rachel K Collier</title>
        <published>2024-10-02T00:00:00+00:00</published>
        <updated>2024-10-02T00:00:00+00:00</updated>
        
        <author>
          <name>korczis</name>
        </author>
        
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        <content type="html" xml:base="https://korczis.github.io/sonic-playground/ryan-blyth-once-twice-feat-rachel-k-collier/">&lt;h2 id=&quot;genre-and-mood&quot;&gt;Genre and Mood&lt;/h2&gt;
&lt;p&gt;&lt;strong&gt;Ryan Blyth&lt;/strong&gt; delivers an energising house track with &lt;strong&gt;Once Twice&lt;/strong&gt;, featuring &lt;strong&gt;Rachel K Collier&lt;/strong&gt;. It is bright and uplifting, a sung house record that is short, direct and built to make a floor move.&lt;/p&gt;
&lt;h2 id=&quot;song-summary&quot;&gt;Song Summary&lt;/h2&gt;
&lt;p&gt;The track pairs Blyth’s beat with Collier’s voice. It was premiered in June 2016 on Love &amp;amp; Other, a channel for deep, bass and electronic music, and the video version runs under three minutes, so it gets to the point quickly: groove, voice and a repeated hook.&lt;/p&gt;
&lt;h2 id=&quot;lyrics-breakdown&quot;&gt;Lyrics Breakdown&lt;/h2&gt;
&lt;h3 id=&quot;intro-setting-the-tone&quot;&gt;Intro: Setting the Tone&lt;/h3&gt;
&lt;p&gt;The song opens with bright beats that set the tempo, and Collier’s voice soon introduces the melody.&lt;/p&gt;
&lt;h3 id=&quot;verse-1-the-power-of-connection&quot;&gt;Verse 1: The Power of Connection&lt;/h3&gt;
&lt;p&gt;In the first verse the vocal and the rhythm settle into each other, the topline riding the groove.&lt;/p&gt;
&lt;h3 id=&quot;chorus-the-uplifting-anthem&quot;&gt;Chorus: The Uplifting Anthem&lt;/h3&gt;
&lt;p&gt;The chorus brings the title phrase as the hook, the moment the track is built around.&lt;/p&gt;
&lt;h3 id=&quot;verse-2-embracing-the-moment&quot;&gt;Verse 2: Embracing the Moment&lt;/h3&gt;
&lt;p&gt;The second verse returns to the groove with the same light touch.&lt;/p&gt;
&lt;h3 id=&quot;bridge-a-reflective-interlude&quot;&gt;Bridge: A Reflective Interlude&lt;/h3&gt;
&lt;p&gt;A softer passage shifts the focus to melody before the final chorus.&lt;/p&gt;
&lt;h3 id=&quot;final-chorus-celebrating-life&quot;&gt;Final Chorus: Celebrating Life&lt;/h3&gt;
&lt;p&gt;The last chorus returns with the full beat and ends the track at its brightest.&lt;/p&gt;
&lt;h2 id=&quot;concepts-in-focus&quot;&gt;Concepts in Focus&lt;/h2&gt;
&lt;p&gt;Once Twice is a typical &amp;lt;a href=“https://korczis.github.io/sonic-playground/concept/featured-artist/” class=“concept-link font-medium text-primary-700 underline decoration-dotted underline-offset-4 hover:decoration-solid dark:text-primary-400” data-concept=“featured-artist” title=“A guest performer credited on another artist’s track, usually as “feat.”: a rapper’s verse, a singer’s hook or a second voice. Features bring together different styles and audiences and are central to hip-hop, R&amp;amp;B and dance music.“&amp;gt;featured artist&lt;/a&gt; record. The producer, Ryan Blyth, owns the track; the singer, Rachel K Collier, brings the topline, the melody and words that sit on top of the beat. Ableton’s profile of Collier notes that she worked as a topline writer and featured artist early in her career, including on Mat Zo’s work that brought her a UK top 20 single and a Grammy nomination, before becoming known as a producer and live performer in her own right.&lt;/p&gt;
&lt;p&gt;Underneath is a &lt;a href=&quot;https://korczis.github.io/sonic-playground/concept/house-groove/&quot; class=&quot;concept-link font-medium text-primary-700 underline decoration-dotted underline-offset-4 hover:decoration-solid dark:text-primary-400&quot; data-concept=&quot;house-groove&quot; title=&quot;The rhythmic signature of house music: a four-on-the-floor kick, off-beat hi-hats and claps on two and four, at roughly 118 to 128 beats per minute.&quot;&gt;house groove&lt;/a&gt;: a steady kick on every beat and percussion on the off-beats, a pulse designed to carry a voice without competing with it.&lt;/p&gt;
&lt;p&gt;The &lt;a href=&quot;https://korczis.github.io/sonic-playground/concept/hook/&quot; class=&quot;concept-link font-medium text-primary-700 underline decoration-dotted underline-offset-4 hover:decoration-solid dark:text-primary-400&quot; data-concept=&quot;hook&quot; title=&quot;The short, memorable idea a song is built to stick with you: a sung phrase, a riff, a synth line. A hook is designed for repetition and usually arrives early.&quot;&gt;hook&lt;/a&gt; is the title phrase, repeated in the chorus so that it sticks after one listen. In a track this short, the hook arrives early and returns often; compare the way a featured singer’s line carries &lt;a href=&quot;https://korczis.github.io/sonic-playground/gorgon-city-mnek-will-saul-ready-for-your-love-close-remix/&quot; class=&quot;font-medium text-primary-700 hover:underline dark:text-primary-400&quot; data-track-link=&quot;gorgon-city-mnek-will-saul-ready-for-your-love-close-remix.md&quot;&gt;Gorgon City – Ready For Your Love (CLOSE Remix)&lt;/a&gt;.&lt;/p&gt;
&lt;h2 id=&quot;artistic-context&quot;&gt;Artistic Context&lt;/h2&gt;
&lt;p&gt;Rachel K Collier is an electronic music producer, vocalist and performer from Swansea in Wales. She has worked in the commercial music industry since 2013, uses Ableton’s Push 2 as the heart of her live setup, teaches as an Ableton Certified Trainer, and has performed at SXSW and the BBC’s Biggest Weekend.&lt;/p&gt;
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